Category Archives: Historical novels

Wanted to share a couple of things….

First, I was reading Patrick O’Brian’s HMS Surprise this morning, and I encountered what may be the most screwball single line of dialogue I have ever read–

“Jack, you have debauched my sloth.”

Even though it makes perfect sense in context, the image it creates still leaves me giggling like a maniac. There are few who can write like Patrick O’Brian.

Second, by the grace of God tomorrow I start a new job. It’s contract, not permanent, but it looks like a good position and may lead to more permanent positions. It comes rather in the nick of time, too. Thank God.

One potential downside may be that, because of a long commute, I may be blogging less frequently (actually, there may be some people who will see that as a blessing. Just try not to cheer too loud). If so, so be it. On the other hand, I should have plenty of time during my commute to contemplate projects and make notes. You gotta use the time you got as best you can.

Scary stories

Not stories about ghosts, werewolves, vampires or IRS tax audits. Oh, no. I’m not talking about stories you read to make yourself shiver. I am talking about story ideas so big, so ambitious, they intimidate me as a writer.

I have a few of these, some of which I’ve been mulling over in my brain for years– but which I have never had the courage to put on paper or hard drive. Perhaps tellingly, these are mainly mainstream literary ideas, rather than genre.

Among these concepts–

1. A contemporary novel, working title Life in the Abyssal Plain. This is only tangentially informed by my own life (a strictly autobiographical novel based on me would be useful only as a door-stop), but I find its protagonist– a man who has always felt out of step with his universe, reaching middle-age with nothing to show for it– compelling. But, frankly, writing about real life is much more intimidating than writing about dragons and space battles.

2. An unnamed Vietnam War novel. Although I have thought about it a lot, this one is so intimidating I will probably never write it, at least as a novel set in Vietnam. I lived through the Sixties, but I was never in Vietnam. I was in the Army, but my service was years later and I never saw combat. If I tried to write a novel about the war in Vietnam, I would almost certainly commit a thousand errors. It would also take a particularly rank sort of hubris for someone like me to write, as a non-participant, about a subject for which there are so many books– If I Die in a Combat Zone, Box Me Up and Ship Me Home, Fields of Fire, and Matterhorn as just a few examples– by people who were there, and who are still around.

But I did live through the Sixties, and I was in the Army after the war, serving with men who were in Vietnam (by-and-large damn fine people), and I can say something about that. I have an unpublished novelette based on my time in the Army, but I need to rethink it pretty thoroughly before I try to recreate it as a novel.

3. A Civil War novel, working title Leaves in the Stream. Yeah, probably a little too close to Hemingway’s Islands in the Stream, but it captures the concept I have of the war sweeping an entire set of families, white and black, downstream through history, with the characters unable to resist the current. Its protagonist is a young Southerner fighting for the North. I relate pretty strongly to this character– I come from a southern family proud of its Confederate heritage, in which I was the only kid impertinent enough to remind everyone about the inconvenient fact of slavery (funny, I’m also the only one who now lives north of the Mason-Dixon. Hmmm…). My novella The Peach Orchard was actually a first essay at telling this story, as well as my first real attempt at historical fiction. It will probably serve as the jumping-off point for the novel when I write it.

This novel is close to my heart. The Civil War in general hovers over Southerners in way it does not for Northerners. More than that, this is family history for me, as well as the history of my nation, and I think there are important things I can say about it.

The problem is that this concept scares me witless.

This is the one story I have to get right (above and beyond just getting it right as a story). More than the overwhelming historical detail (and that alone is staggering), I absolutely don’t want to turn out yet another pot-boiling soap opera (and there have been so many Civil War pot-boilers, starting with that gold-plated turd, Gone With the Wind). That sort of failure would kill me. The terror of doing this wrong has been paralyzing. And then there’s the scale of it– if you do it right and don’t restrict your focus to one battle or one section of the country (as with Across Five Aprils, for example), you’re almost sure to turn out something longer than War and Peace— and length is not necessarily an indicator of quality.

Writing The Peach Orchard was confidence-building, but in the scheme of the whole novel it would be only about one or two chapters. I’ve been reading historical fiction on the war, including The Killer Angels and The March, but in some ways that’s counter-productive– reading works by masters only serves to remind me of far short I fall.

Which is probably what this all boils down to– my sense of inadequacy as a writer. I’m not formally trained, and I feel that most keenly when I contemplate projects like these. The sad truth is that I am far more confident handling science-fiction and fantasy (although Princess of Fire has lately been causing me to question even that) than in making everyday life interesting– which is probably a pointed comment on my writing abilities in-and-of itself.

At some point, however, I will have to screw my courage to the sticking point and just do these stories. Or, to put it another way, close my eyes and think of the book covers. Because, frankly, these projects represent something of a bucket list for me as a writer. And I ain’t getting any younger.

And now for something different– the bicentennial everyone is ignoring….

At least, that’s how it seems in the US– I can’t speak for Canada or Britain. Here in the States we’ve hardly heard a peep about a critical event in our history, which shaped us almost as much as the Revolution.

I am referring, of course, to the War of 1812.

Being the history fanatic that I am, I find this omission frustrating. The war, which lasted until December, 1814, is almost forgotten nowadays, although it has been referred to as the Second War for American Independence. Had we lost it, the United States as we know it probably would not exist. But there has hardly been any public mention of the bicentennial, and only a few, small remembrances of individual battles and events (in Canada it may be a different story– the war was an important factor in the development of a Canadian national identity).

I do, however, understand why we Americans are reluctant to remember the war. It’s embarrassing.

Basically, the war, launched on a mixture of genuine grievances against Great Britain and an imperialist lust to conquer Canada, was plagued with failure and disaster. Our attempts to invade Canada (at least four separate efforts) all failed in welters of mismanagement and stupidity. We enjoyed some successes against the Royal Navy in individual actions at sea, but eventually the British locked a blockade on the American coast and largely bottled up our navy. Toward the end of the war we finally began to field effective armies, but they weren’t there to stop the British from burning Washington DC in August 1814. The war ended in a stalemate and a peace treaty that addressed none of the original American grievances.

Reading this history as an American, my basic instinct is to cringe and cover my eyes. Not only were our forefathers infected with naked imperial ambition– even Thomas Jefferson thought taking Canada was a great idea– they were incompetently nakedly imperially ambitious (yes, I need three adverbs– it’s that bad). The American grievances were about British interference in neutral trade and their impressment of American citizens into the Royal Navy and were real enough, but they were used as an excuse for the United States to go conquering other people, most of whom refused to be conquered.

Ironically, despite the final stalemate, the disasters and the failure to take Canada, the war produced a surge of nationalistic feeling in the US. In a classic example of selective memory, Americans focused on their successes (especially the much ballyhooed Battle of New Orleans, which happened after the peace treaty was signed), and the fact that we had, for the second time in our history, stood off the greatest empire on Earth. In time, though, the war faded from our consciousness, except when we wanted to remember our early naval victories or Andrew Jackson.

Personally, I think some remembrance would be appropriate, if nothing else to remind ourselves of the costs of greed and arrogance, and to admit our past wrongs. More than likely there will be a remembrance of the burning of Washington and the bombardment of Fort McHenry, to which we owe “The Star Spangled Banner”, easily the most musically difficult national anthem in the world. But, aside from that, it looks as if the whole business is going to be passed over in silence. Sigh.

As a writer, though, I find this another period loaded with riches– overlapping the Napoleonic Wars, the Regency, and the start of the Industrial Revolution (at the war’s end the Americans were close to launching Demologos, the world’s first steam-powered warship. There’s an alternate history story for you). Jane Austen lived and wrote in this period, although, oddly enough, she barely mentions the war against Napoleon in her novels, and the American war, not at all. There are all sorts of fascinating details and events. For example, the British had a fortress in Dartmoor which served as a prisoner of war camp for both American and French POWs. The history of the place reads rather like ‘Jane Austen meets Stalag 17‘. There was the American guerrilla war against British commerce at sea, the tragedy of Tecumseh and the loss of the last chance for a Native American confederacy in the Midwest, the American victories on Lake Erie and Lake Champlain (which forestalled British counter-invasions from Canada), and the resurgence of piracy in the Caribbean (a consequence of the extended war between Britain and France). It is a marvel to me that no one has made a movie of the cruise of the USS Essex in the Pacific under David Porter, one of the epics of American naval history.

Other authors, such as C. S. Forester, Bernard Cornwell and Patrick O’Brian, have mined this period well for material. I have at least a few story ideas, starting with the Demologos, a tale about the Dartmoor prison, and a novel about a pressed American seaman in the Royal Navy. This last idea could be really interesting, as Americans are known to have been involved as seamen in many battles against Napoleon prior to 1812– for example, there were at least twenty-two Americans aboard the HMS Victory at the Battle of Trafalgar. This created some problems, obviously, when the United States declared war on Britain, which could be a great source of tension.

But these ideas, at this point in time, are part of that mass of story concepts I have in the back of my head which I may or may not ever have an opportunity to write. I’ve got a solid set of projects already in progress, so it’s an open question if any of these historical stories will see the light of day. If anyone else feels inspired to tackle the ideas I mentioned, have at it.

As far as the bicentennial is concerned, I suppose we’ll each have to remember the war in our own ways. For me, there’s always Johnny Horton.**

(**To be fair, Johnny’s history is wildly inaccurate– but I love marching Legos. And, no, I’m not terribly consistent….)

My struggle with an era

I am now about 72,000 words into Princess of Fire. I’m starting to link up sections, working toward a unified narrative. It’s becoming increasingly clear, however, that there is a core section yet to be written that probably contains most of the really difficult material. That’s the disadvantage of the “bypass and infiltrate” model of writing– you’re still going to have to come back and deal with the enemy strong-points you’ve bypassed. In other words, writing the easy stuff now doesn’t make the hard stuff go away.

Meanwhile, when I’m not putting out resumes and phoning temp agencies, I spend my time reading. One of the books I am (re)reading is Isaac’s Storm, a non-fiction recounting of the Galveston hurricane of 1900–

The book captures the tragedy and horror of the hurricane, which killed thousands of people, in part because turn-of-the-century weather forecasters failed, through hubris and bureaucratic stupidity, to recognize the signs a monster storm. The book also conveys something of the era, which makes it doubly valuable to me.

I have long been fascinated by the period of about 1895 to 1914. It’s a time that overlaps the late Victorian and the Gilded Age with the Edwardian, and in some ways you could think of it as the last twenty years of classical Western civilization– the Great War shattered all the previous assumptions, and then the Second World War obliterated the remains. The world we live in would be mostly unrecognizable to someone from 1900.

I’ve long wanted to write something about this period, but I’ve never been able to. I’ve bounced around the Boxer Rebellion, flirted with the 1906 San Francisco earthquake, contemplated the suppression of the Philippine Insurrection, and surveyed the Klondike and Nome gold rushes, but nothing has gelled. There’s just too much good stuff– I haven’t been able to settle on one or two threads with which to weave a story.

It’s frustrating, but I think eventually something will crystallize. One thing– I probably need to start thinking about characters, rather than the grand, epic vistas of history. Maybe once I do that, things will come into focus.

Meanwhile, I pound away on Princess of Fire. At least that’s keeping me off the streets.


Abandoned fragment #7- Northern Lights

As I dig deeper and deeper into my files for lost fragments, the more I find the awkward and the amateur. I have hundred of thousands of words– complete books and short stories– that I am not inflicting on my readers, either here or on Amazon, because they are just not fit for public consumption. Some people have urged writers to pull out their trunk novels and publish them online. I will not go there– not only would these stories be an affront to the English language, they would quite possibly ruin what little reputation I have with readers.

This fragment comes from an abortive historical novel I started, long ago, around the Boxer Rebellion in China in 1900. It died very quickly because I realized that I did not have nearly a good enough handle on the Chinese perspective to make a decent job of it. This opening is not bad (I think) but it illustrates how awkward I was in that period when I was not writing sci-fi or fantasy.

Copyright 2013 Douglas Daniel.

Jason stepped into the barroom, closing the heavy doors behind him against the chill of the October night. Out-of-tune piano music washed over him, along with the stink of cigar smoke, spilled beer, and man-sweat. Only a low murmur of talk carried to him under the music. It was mid-week, and most of the miners in Moose Crossing were two days away from having enough money to afford the Borealis Club. The Club seemed almost untenanted; there were several empty tables dotted like desert islands around the saw-dusted floor. A couple of whores drifted about like sad galleons with tattered rigging, but none of the poker players or the serious drinkers who did occupy the tables paid them any attention. Jason appreciated the quiet.

The bouncer, a beefy little man with a bowler hat and eyes like the dots left by a sharp pencil point, flicked Jason one look, and decided to let him live. “Evening, Mr. Welch,” the man said from the high stool on which he perched. It constantly amazed Jason how the fellow remembered his name; he didn’t come in here that often. Still, Jason reflected, Moose Crossing was a small town, rail-head or no. “How have you been, sir?”

“Fair to middlin’,” Jason answered, not really interested in talking to the man. The bouncer’s name was Rudd, and his chief interest in life was the maintenance of peace and order in the bar while he was on the job. Everything, including casual conversation, served that end. As long as he stood and talked to Rudd, Jason knew he was in some sense merely a target.

“Glad to hear it, sir.” The bouncer’s eyes swung off Jason as the door opened again, and Jason stepped forward, out of the locus of danger.

Jason crossed the floor to the bar. The nearest bartender– there were two, neither looking overworked at the moment– eyed him as if he were a dirty snowball someone had rolled up against the clean wood of his bar. “Beer,” Jason said shortly, feeling about as conversational with the bartender as he had with Rudd. He took his spectacles off, wiped off the slight dew of condensation that had formed on the lenses with his shirtsleeve.

“Pabst?” the bartender asked, just as short.

“Yeah.” Jason reflected that it was a bad sign when Rudd was the most talkative man in the house.

The bartender drew the beer down into a smudged glass, plopped it down in front of Jason. Jason dropped a nickel on the bar and it disappeared with a sweep of the barkeeper’s fat hand. Jason sipped the foam and let his thoughts roam as he stared without seeing at the bar.

One of the whores wandered over—Jessie. Her yellow air was unhappily curled; Jason reckoned that it was naturally as straight as straw when it wasn’t messed with. She leaned against the bar beside him.

“You lonely tonight, Jason?” she asked languidly. She was trying to look sultry. In her case it was like a turnip trying to look like a porterhouse steak.

“Not especially,” Jason said. He sipped.

Jessie pouted. “You say that every time I talk to you. What’s the matter, don’t you like girls?”

“I like girls fine,” Jason said back. Brown skin as smooth as silk. He forced the image out of his head.

“Well, you never show any sign of it. Jesus, in the six months you’ve been working for the mine I haven’t seen you go upstairs once with any of the girls. You must have a powerful head of steam built up.”

If you only knew, he thought. “Might be dangerous for you to be on the receiving end.”

Jessie smiled. For a moment she was almost pretty. “I could take my chances.” She laid a hand on his arm. “Oh, come on. I’m bored. I might even sweet-talk Mrs. McCarthy into giving you a discount.”

“Oh, as if that’s likely,” the bartender interjected, from where he was wiping a glass.

“You dry up, Mr. Davis. You got your cut out of him; I’m just trying to get mine.” She returned her attention to Jason. “What do you say?”

“You’re very persuasive, Jessie.” Jason looked at her over the rims of his spectacles. “But, no. Sorry.”

Jessie huffed. “Are all you Yankees so stubborn?”

Jason clenched his teeth. “Never call somebody from Texas a Yankee, Jessie—you could get hurt.”

“All of you look alike to me,” she said back. She pushed away from the bar. “Suit yourself. Just don’t sprain a wrist relieving yourself later.” She moved away.

“That one’s got a mouth on her that’ll land her in trouble someday, eh?” the barkeeper said.

“Most likely.” There were all kinds of ways of getting in trouble, Jason reflected.

He drank his beer slowly, warming up in the close air of the bar. The piano player finished whatever song he had been hammering at and wandered off for a moment. One of the card games got noisy for a few moments, until a misunderstanding was straightened out about whether deuces were wild. No fists flew– by Borealis Club standards it wasn’t even an argument. Even Rudd spared it only a passing glance.

The doors swung open. It was Mr. Grieg. The manager of the mine workshop and telegraph office exchanged nods with Rudd, came toward the bar. Jason regretted not having finished his beer more quickly with each step the man took, because he was coming straight toward him.

“Welch, good,” Grieg said. He had a slight accent, but spoke better English than a lot of the Norwegians who worked the mine. He leaned against the bar, hunched over beside Jason. “I’ve been looking for you.”

Jason put the glass down, wiped a bit of foam off his lip. “Yes, sir?”

“We got a message down at the telegraph from Winnipeg,” Grieg said. He waved the barkeep away when the man came near, looking expectant; Davis shrugged and ambled off. “It was for the Mounted Police Station.”

Chill winds shot through Jason’s guts. “Yes, sir?” was the only thing he trusted himself to say.

“I’ve sent Randolph down to check the line,” Grieg said. “The message seemed garbled somehow. I may need you to check the electrical connections on our end.”

“All right, Mr. Grieg,” Jason said, “right now?”

Grieg waved him back down as he started to rise. “No rush, no rush. Randolph will be an hour or so checking the line. I actually think it was the operator on the other end that caused the error. I just want to make sure of the message before we pass it on to the Mounties.”

Jason swallowed, trying to maintain a facade of calm. “What was wrong with it?”

Grieg shrugged. “It seemed strange– they were sending a message to the station saying they should detain a man named Walker. Supposedly an American who works for the mine. But I personally know there are no Americans named Walker here. Once we’ve checked the line and equipment I’m going to have the message resent.”

“I see, sir,” Jason said. He was sweating now, a thin trickle down the center of his back.

“So finish your beer,” Grieg said. “Then do a thorough check. Once you’re done– oh, say in two hours– we’ll request the Winnipeg operator to resend. All right?”

“Very well, Mr. Grieg.”

The manager nodded, pushed himself away from the bar. Jason hesitated, then said, “Mr. Grieg?” He couldn’t let it go at just that.

Grieg stopped. “Yes?”

“Thank you,” Jason said.

Grieg paused, then nodded again. He didn’t say another word; he turned and left.

Jason forced himself to finish the beer. The piano player resumed his assault on the keys; some of poker players cashed out and were replaced by new players. After about fifteen minutes the beer was finally a residue of suds in the bottom of the glass. “Good night, Mr. Davis,” Jason said as he stood.

“Not another?” the barkeeper asked.

Jason shook his head. “You heard Mr. Grieg– I got work to do.”

Davis shook his head. “And I think I have a hard job. Good night, Mr. Welch.”

Jason went back out into the night. He pulled his coat close around himself as he struck off down the street toward the telegraph office. The mud in the ruts of the road was frozen, forcing him to watch where he was putting his feet. The moon was out, so it wasn’t hard, and there was light from the other establishments he passed– the Hoopla, the Bear’s Den, Mother Yancey’s. Tinny music echoed from most, but the street was almost deserted. The sky was clear, though the air smelled of snow.

Jason made himself walk. He wanted to run. But he had to go right past the Mountie station to get to the telegraph office, and the last thing he wanted to do was attract the attention of the trooper on duty. Grieg had given him a frame of time in which to act. The first thing to do was play the role of the dutiful employee going about a dull task.

He reached the telegraph office. The place was dark– there was no sign of Grieg or Randolph, the lineman. Jason regretted the fact that he would never see the manager again. He was a decent man to work for.

He went upstairs to his room. He grabbed a blanket and worked quickly to make a bedroll. Spare spectacles in their case, a Bible, shaving gear, clothes, a box of ammunition, socks– he’d have to leave his second-best boots, no room. He rolled it all together and tied the ends. He grabbed a canteen, stuffed a box of crackers into a bag with an apple he had on the nightstand. From inside the mattress he pulled his money– almost fifty pounds sterling in those big British notes with Victoria on them, twenty dollars in American silver eagles, and a tiny bag of gold dust he won the one time he’d been tempted into a poker game. Jason smiled at that memory. That was his father’s fault, the same man who had taught him how to make up a bedroll. The best Baptist preacher in Bejar County, Texas, as well as a first-class card sharp.

The money went into a wallet, which Jason hung by a chain around his neck, next to his skin. Back on with the coat; he’d need it tonight. He slipped the bedroll over his shoulder, settled it into place. He didn’t strap on the gun-belt, nor the shoulder-holster– that would be too conspicuous, too likely to raise a shout if he were seen. Instead he made sure both pistols were loaded and that there were bullets in all the loops. He didn’t want to have to shoot his way out of town, most especially and critically he didn’t want to shoot any Mounties, but the possibility existed. He slung the gun-belt and harness with the pistols over his shoulder, picked up the bag.

He stopped, wondering if he had forgotten anything he needed. Looking around the room he had a moment of regret. He had begun to think he was going to be able to settle here, to stop running. He should have known better.

He left. There was still no sign of anyone downstairs. Jason cut quickly out the back and into the trees behind the office. There was a path that led down into and out of the ravine that separated the main street from the rail yard. Jason took it, picking his way carefully– a broken leg right now would be a major inconvenience. He reached the bottom of the gully, which was almost as pitch-black as the middle of a coal-heap, and started up the other side.

He paused under the lip of the ravine on the far side, peered over. The rail yard was a flat expanse of about five or so acres, five tracks feeding from the loading area at the north end, where the coal was brought down and dumped from the mine trolley. There were, as usual, several large fires burning around the area, to give light and some warmth to the workers. The mine kept the loading going day and night– this seam was huge, he heard, equal to anything in Kentucky or the Pennsylvania hills, and the owners were determined to extract everything they could, as quickly as they could. Once it was played out, Jason reckoned, the mine would be abandoned, and quite probably Moose Crossing would be given back to the forest, but meanwhile it was two shifts around the clock.

As he watched a trolley rumbled in, shuddered to a stop with groaning brakes, and began to dump its load. By the loading platform was a train with coal cars waiting to receive the ore. Workers on the platform, so be-smudged with coal dust they were hardly more than shadows in the flickering light, shoveled the ore into the cars.

It was the other train in the yard that interested Jason, however. It was a freight, its boxcars unloaded, ready to deadhead back to Vancouver. It stood halfway across the yard, the engine at its head puffing steam as it took on water. That was his ride out of Moose Crossing. The problem lay in getting to it.

There was no one between him and the train in a direct line, but there were workers scattered around the yard, either going about on errands or pausing to warm themselves at one or another of the bonfires. If he dashed for the train he would surely draw attention to himself. Amble out, and avoid the fires. That was it.

Jason, wrapping himself with casual like a cloak, climbed up out of the ravine and strode into the yard. Cinders and bit of coal crunched beneath his boots; the place smelled of wood smoke, coal smoke, and steam. He forced himself to go slowly, to take his time as if he were a worker tired from eight hours in the cold and still facing another four. He moved in a careful arc that stayed well out of the circle of light cast by one of the bonfires. A few men stood around it, but none of them seemed to notice him. He stepped carefully; it would be very bad to trip over a rail right now.

He was within a few yards of the train when he caught movement out of the corner of his eye. Two men were walking down along the train, looking in the cars, talking. Jason recognized one as a yard worker, an Englishman; the other one was Franklin, a Mountie corporal. The two of them were maybe fifty yards away. Jason held the urge to run away at arm’s length. There were some crates stacked close by, covered by a tarpaulin. He angled his walk into their lee, for lack of anything better.

On that side Jason saw that there were actually two stacks of crates under the canvas, with a narrow gap between. He quickly wedged himself into it, shoving back as far as he could to squat on his heels. He was sure he could not be seen by any casual observer– to find him someone would have to come right up to the gap and shine a light into the space. He waited.

The voices of the two men gradually drifted to his ear as they came closer. “…you say this Yank has been working here for five months?” It was the yard worker, a man Jason did not know.

“Six,” said Franklin. “At least, if it’s the man we’re thinking it is. Worked in the telegraph office and the machine shop. Wanted for murder down south.”

Jason closed his mouth on a curse. Grieg’s attempt to withhold the contents of the telegram had failed somewhere.

“I think I’ve seen the fellow you’re talking about. Weedy sort, with spectacles?”

“The very one.”

“Well, who’d have thought? He didn’t look like a killer.”

You’d be surprised.

“You never can tell– had a Indian last year who looked like to be too young to piss by himself, and he went and cut up two men over a game of cards.” Jason smiled at Franklin’s tone of mature knowledge; the man was a year younger than he was. “This Walker fellow killed four men, they say.”

They were directly opposite the crates, now, and Jason tried to still his breathing. The yard worker was saying, “S’truth? Should we be looking for him alone, then?” The man’s Cockney accent was suddenly a good deal stronger.

“You’re not alone– I’m here.”

The two men now emerged into the narrow field of vision afforded by the gap in front of Jason. Their backs to him, they were lifting the lantern and peering into boxcars. Jason watched as they reached the end of the train. A figure, one of the train crew, emerged from the caboose and spoke with them for a moment. A wave of hands and the two came back the way they had come.

Jason held himself absolutely still– except for the hand that slipped one pistol from a holster. Surely he wouldn’t have to use it; neither of them would be able to see him unless they came right up and shined their light into the space. Still, sweat pooled in the small of his back as he crouched.

And then, as if out of some nightmare, he heard Franklin say, “What about those crates?” and saw him turn toward the stack. Jason gripped the pistol tighter, but resisted the urge to lift it and fire now. Surely this wasn’t going to happen. Jason wondered if he could kill Franklin. He teetered between the thought of stark murder and the certainty of hanging if he surrendered.

“We just stacked those this afternoon,” the yard worker said.

“So Walker couldn’t have wedged himself in here?” Franklin replied.

No, he didn’t, I’m not here, Jason thought at the Mountie.

Franklin closed in and brought the lantern up. Jason raised his pistol. In this position the recoil would bid fair to break his wrist. Franklin would have to bend down to shine the light in; that would be the moment to fire. The Mountie was three paces away.

A shrill, piercing whistle sounded from the other side of the yard, three urgent bursts. Franklin jerked upright as if stabbed from behind. Jason recognized the signal– the Mounties’ own call for assistance.

“They must have caught him!” Franklin exclaimed. “Come on.” He was gone.

Jason lowered his pistol, trying to hear the fading footsteps of the two men over his own thudding heart. Then another whistle sounded– the freight’s whistle, two good blasts. Jason heard the train start forward and the slack go out of the string of cars with a crash that went down the train like a string of firecrackers going off.

“Damn it,” Jason snapped. He plunged out of the gap into the night air, and saw that the train was already moving. He dashed for the nearest car. By the time he reached it the train was already rolling at better than walking speed; Jason had to trot alongside the car, praying that he didn’t trip on a tie or turn an ankle on the roadside gravel. Thankfully the car’s doors were open; he tossed in his bedroll, had to leap a switch, then his guns and the extra bag. Now the train was moving as fast as he could run. It was now or never. He leapt up, just as he and his brothers had done many a day when they were younger, jumping on and off the Texas and Mobile freights that lumbered through town. He jumped up and grabbed the door-handle, lifted his feet clear of the ground, and swung himself inside. He was thankful he was on the wiry side; some of his beefier cousins were never able to do that.

Jason quickly gathered his possessions and dragged it all into the forward end of the car. There he found a good-sized pile of straw, more welcome than a set of satin sheets. He piled the sweet-smelling stuff around him as he hunkered down in a corner. The train, going a good clip now, left the yard and passed into the forest beyond.

I would like to revisit this story in one way or another in the future, especially as it involves a period of history (the turn of the Twentieth Century) and a region (the Far East) that fascinate me. In my original idea these stories would have run right through the Boxer Rebellion and the Russo-Japanese War to World War I. But, as with most of these abandoned stories, their priority is far to the rear of more current projects. And I have only so much time left in this life.

Maybe if I stopped playing Halo….