A plea to new writers, while treading carefully…

A certain author, on a certain online group, recently posted, with evident pride, a chapter of their work-in-progress. I looked it over. It was not a happy experience.

One of the greatest problems with online self-publishing, in all its forms, is that it makes it entirely too easy to put out work that is in no way, shape or form ready for public viewing. And in this instance it wasn’t just poor writing– the author obviously had no grasp of basic grammar or punctuation, the very things Stephen King calls the writer’s fundamental toolbox. Comma splices, run-on sentences, misused or missing capitalization, long interior monologues, and adverbs– dear God in Heaven, not just over-used, but used in bizarre and novel ways…you probably get the picture, and it ain’t gonna be hanging in the Louvre. It’s the sort of thing that gives ammunition to those who denigrate self-published works as amateur and unreadable.

It is a simple truth that, to write effectively in English, you must master– and not just master, but internalize– certain rules and nuances of the language and how it is expressed in symbolic form. You can’t get away from it, not if you want your work to be readable and to rise above the status of laughing-stock. You ignore those rules at your peril.

Now, having said that, you will notice that I have not named the author, nor their work, nor have I quoted any of the more wretched passages (a strong temptation, if for no other reason than to bear witness to those adverbs…). It is not my desire, nor my purpose, to denigrate or belittle any author, just as you would not denigrate a student struggling with a math problem (at least, I hope you wouldn’t). In the first place, we all have to start somewhere. The difficulty is that self-publishing allows thousands and thousands of neophyte writers to plunge straight off into the deep end, with the result that the self-publishing sea is layered thick with their corpses….

In the second place, I am not sure I would personally have many stones to throw. I think I write fairly effective sentences, and I have been at this a very long while (depressingly so), but, even so, I trip up all the time. The hard-copy edit of Princess of Fire has rubbed my nose in that fact (more about that below). And I remember quite clearly how long it has taken me to get to whatever level of competence I have achieved.

Here’s the truth– English is a hard language, even for native speakers. This bastard child of German and French, bespangled with a host of ‘loan’ words (more like, hijacked), is tricky and ever-shifting– and it hasn’t helped that formal grammarians have long insisted on imposing Latinate rules of grammar on an essentially Germanic tongue, which has basically gummed things up even worse for generations (but that’s another post).

To handle this language effectively, you have to learn the rules. You have to study. You have to read good writing, by good authors. I have already name-dropped Stephen King, so I’ll go the whole hog and mention his memoir, On Writing: A Memoir of the Craft, as an excellent primer on not just what tools a writer needs, but as an outline of how life influences a writer. Among other things, King hammers hard on the idea that to write effectively, you must read widely. And then you have to write, write, write, over and over again, figuring out what works and getting rid of what doesn’t.

And while I’m mentioning books, if you don’t have a copy of Strunk and White’s The Elements of Style, stop reading this and go get one. Now. I’m not kidding.

All of this takes time. And time, I fear, is something many new or young writers don’t want to part with. Worse, they don’t understand that there is no other way to become a good writer than by putting in the effort and the time. Instead they charge ahead, afire with the enthusiasm of seeing their work online, on Kindle or Smashwords or Nook, and then wonder why the reviews are cruel, if they get reviews at all. This is, frankly, one of the downsides of the self-publishing revolution.

I’m saying nothing new here, but I think these truths need to be repeated every so often. More than that, though, I want to try end on a hopeful note. The fact is, everyone starts in the same place with writing, except for those extremely rare native geniuses who are born with pen in hand. Most of us have to do it the hard way. And that should be encouraging to anyone struggling to learn how to write. You need to write, and read, and persist. Therein lies your hope.

On another note–

Re: Princess of Fire , yes, progress is being made, but my first estimate of a week to put in the hard-copy changes was, unsurprisingly, way, way off. Part of the problem is that I am in the process of re-writing, from scratch, a climactic piece of action; also, the real life demands of being unemployed, of dealing with medical Cobras and unemployment insurance issues, having been seriously distracting. But I’m closing in….



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