Perhaps a brief update is in order, now that I’ve been AWOL for a while.
I tend to be a glass-half-empty sort of person, even on the best of days, as some of you may have already noticed. Not for nothing have I been nicknamed “Eeyore” in more than one workplace. Lately, however, I have been more down than normal. Life-issues, starting a new job, and, most importantly, doubts about my whole writing effort have contributed. April has been a gloomy month.
Perhaps, though, things are starting to look up. Along with the new job, I have started work on Princess of Fire version 3.0.
Yes, version 3.0. There was a version 2.0, but it had the life-span of an ice cube on a Texas road in August.
I started out wanting to cut everything back to a single thread focused on Kathy. When I actually started cutting, however, I realized that another thread was needed, to round out the story and ground it in the everyday life of people Kathy was working hard to save. The chief difficulty is that I don’t really have the story of this secondary thread down. I probably need to build out the characters a little more, and in that effort, mostly likely, the sub-story will be revealed.
I still managed to cut 10,000 words. I will probably add that many, and a good deal more, back before I am finished.
The other issue I have to resolve is with structure and pacing. I want the story to go forward against a backdrop of rising danger, which has to start small and increase steadily until it’s screaming in Kathy’s ears. This may be, in fact, the most difficult effect I have ever tried to pull off in a novel. The only thing similar I have ever done was in one of my unpublished trunk novels, A New Heaven and A New Earth, in which a mortal danger is slowly developed– but that was achieved through a series of distant incidents, with the full revelation of what was going on eventually being sprung upon the protagonists (and the audience) in one big reveal. In Princess of Fire, the danger literally looms over Kathy the whole time, and somehow I still have to create suspense and increase the sense of danger by steady increments.
I am not sure I am up to it.
But I’ve started. Progress will be slower than with version one, simply because I’m no longer sitting at home debating whether to write or watch Game of Thrones clips on YouTube. Because of that, all bets are off about when Fire will see publication. But then, it’s not like the rent is depending on its sales.
I’m still working on that part….
PS, 4/26– As I get into version 3.0, one of the first evident facts about it is that many of the scenes and sequences are actually, no kidding, and absolutely in the wrong order. This was pantsing on a manic scale– I have one character working with Kathy before she even arrives in the capitol; another is preparing in the morning for a festival that same afternoon, and ten thousand words intervene that relate the passage of two whole days before I get back to that afternoon festival. I am cutting and pasting thousands of words at a time to get things in the proper order.
Never again…as God is my witness, never again….