I went to see Captain America: The Winter Soldier last night–
With this film the grand movie story-arc of Marvel marches on, with an important chapter in the sub-story of Captain America (Steve Rogers).
Wait a second–
There, I feel better.
This installment is a fast-paced action piece, in which the information comes fast and furious and you need to pay attention to what is going on or you’ll miss some important point. The basic plot is that Captain America, still working for SHIELD, continues to try to find his place in a future with which he still has not quite come to grips. Going out on a mission, ostensibly to rescue hostages on a SHIELD seagoing rocket launch platform, he discovers that fellow operative Natasha Romanoff has another agenda, to retrieve information from the ship’s computers. He confronts Nick Fury, head of SHIELD, who reveals a secret project to build new heli-carriers that are intended to eliminate terrorist threats.
It turns out, however, that not everything is kosher at SHIELD, and these heli-carriers are in danger of being re-purposed by SHIELD’s old adversary, HYDRA. Cap is also unexpectedly confronted by a piece of his past. At this point the elephant dung hits the turbine blades, and the action roller-coaster is screaming down its first curve.
That should give you a flavor of what this movie is about; despite my spoiler warning I don’t really want to give away too much. There are some nice twists and turns in the film, and a couple of serious points– how the mechanisms designed to protect people are vulnerable to being misused to oppress them, and the fact that some politicos might see advantages to themselves in the willingness of people give up their liberties in return for security– themes that are entirely too relevant in our real world.
The film does mostly take itself seriously, but there are some enjoyable lighter moments (one of the running gags is how everyone seems to be trying to get Steve a date). The interactions between Steve, Natasha, Nick Fury, and Sam Wilson (the Falcon) are sharp, and a refreshing aspect of the characters is that not everyone gets along perfectly– Rogers and Fury particularly don’t see eye-to-eye.
On the whole the movie is one more solid brick in the cinematic house Marvel is building. I give it four out of five shields (I am trying to re-calibrate my ratings to leave some room for the potentially perfect film. More Goodreads, less Amazon). If I have to criticize something about the film, it is exactly the fact that the information sometimes comes at you very quickly. The writers could have slowed it down a little and only added a couple of minutes to the running time.
Note: DO NOT leave the theater before the end of the credits. As has become typical with Marvel films, there are additional scenes midway through the credits and at the end. The middle scene is particularly interesting, although neither match the utter greatness of the shawarma scene at the end of The Avengers. God bless you, Joss Whedon.